After signing with MGM, Lucille Ball’s first film at the studio was 1943’s Du Barry Was a Lady. At the time Lucy’s hair was close to her natural color, a mousey-brown and since it was going to be shot in Technicolor a change needed to be made so her look would pop more on screen. MGM’s hair stylist, Sydney Guilaroff decided to dye her hair a vibrant red/orange. Along with her porcelain skin, blue eyes and red lips, the new hair color made her look sensational on and off camera. She remained a redhead for the rest of her life.
This was the wig Lucille wore in the movie. Considered a “3/4 fall” it was attached to the crown of her head providing long locks while her real hair was made in an updo. The interior lace has two labels sewn onto it – a Max Factor Studios label and a Metro-Goldwyn-Mayer label with 493 written in blue. This number matches that found on the original black wig box. The box has a label affixed detailing the color (tech. red) size and performer who it was created for. Also included is the original wig stock record card with all this information and production number. The wig would be reused in 1967 by actress ‘S. Yarnell’ as written on the card however this may actually be Celeste Yarnall of Star Trek fame.