Lucille Ball’s Favorite Beaded Jacket from The Lucy Show with Dean Martin

On Valentine’s Day 1966, The Lucy Show’s “Lucy Dates Dean Martin” aired. Lucille Ball considered this show to be her favorite episode of all her series. Fans can agree the script was adorable and Lucy looked simply stunning with her flip-style hairdo while wearing this gorgeous, beaded jacket. The piece was Lucy’s actual personal garment she brought on set to represent an auction item for a Hollywood charity ball, purportedly worn by Audrey Hepburn in “Danger in Paris.”

The jacket was custom made for Ball using a plush olive-green velvet damask with thousands of hand sewn fuchsia sequins, beads, and rhinestones. The inside is lined with a pink silk fabric, and the stand-up collar has a single gold hook and loop closure. The black underdress was also Lucy’s however it is not the one used in the episode. It is similar and for displaying of this jacket.

Lucy’s reaction when Eddie Feldman (Dean Martin) buys the jacket for her is genuine, heartfelt and purely emotional that comes through on camera. In that moment we are truly happy for Lucy Carmichael getting the chance to own something so expensive and beautiful.

Lucille previously wears the jacket when she portrays Judy Garland on Danny Kaye’s 1962 special. Then in the 1974 episode of Here’s Lucy – “Lucy Carter Meets Lucille Ball” the jacket can be seen hung in the closet of her dressing room next to other personal clothing.

Lucille Ball’s Lilac 3-Piece Ensemble

Lucille Ball returned to TV in the Fall of 1986 in Life With Lucy. The show was produced by Aaron Spelling in association with Lucille Ball Productions for ABC. Her return to a weekly sitcom was heavily publicized, and for good reason. Fans could not wait to see the beloved redhead on television again. One publicity photoshoot of Lucy was done at Spelling’s Holmby Hills mansion dubbed “The Manor.” Photos of Ball wearing various outfits were taken by the pool and in and around the lush backyard.

One such garment was this custom-made, silk 3-piece ensemble. Pale lavender with a scattered floral pattern in black and white, it consists of a deep V-neck short sleeved blouse, loose fitting jacket with long, bell sleeves and pants featuring a bow attached at the waist, side pockets and French cut slits at the hemline. The jacket securely attaches to the blouse at the shoulders with snap buttons.

One image taken during this session can be seen in the October 1986 issue of Life Magazine in a beautiful, color full page spread. Had the series continued longer, Lucille would most likely have worn this outfit on the show. A very similar gown was constructed using the same material but in pale blue and worn in the episode “Mother of the Bride.” Lucy then wore this to Desi Jr. and Amy’s wedding in 1987.

Lucille Ball’s Silk Emilio Pucci Blouse

Emilio Pucci is known for creating garments full of colorful, geometric prints. Founded in 1947 the brand is still in operation today and headquartered in Florence, Italy, producing ready-to-wear clothes that stay true to Pucci’s original distinct style. In the 1960’s Emilio Pucci was thrusted into worldwide popularity when Marilyn Monroe became a fan, with some of her last photographs in a selection of Pucci items.

Lucille Ball owned and wore this pink paisley pattern Emilio Pucci silk blouse throughout the 60’s. Publicity shots were taken in her Beverly Hills backyard wearing the blouse, one of which became the cover to a writing pad. She also wore it to a Hawaiian themed party as seen in the photo with a young Lucie Arnaz behind her, and in a photo session with husband Gary Morton inside the Roxbury home. The size 16 elongated top features six covered buttons down the front, button cuffs and a scalloped hemline. Sewn into the back neckline is the Emilio Pucci label reading ‘Made in Italy for Saks Fifth Avenue.’

Lucille Ball’s “FLAME” Max Factor Creme Rough Makeup

We dug into Lucille Ball’s travel cosmetics case from a previous post to share one of her creme rouges. Made by Max Factor, a preferred makeup brand, the color is called ‘FLAME’ (cue the reference to her flaming red hair). Directions say to use finger tips to apply and blend. The swirl marks made by Lucy’s can easily be seen inside of this heavily used cosmetic.

Lucille Ball’s Curly Red Wiglet

If a hairstyle called for a certain look or something extra, wiglets were used in addition to the regular wig. Simply pinned on the main wig these added height, shape, more curls or possible used to cover something.

This was one of Lucy’s red wiglets. Her longtime hairstylist Imra Kusely dyed it to match her hair color and the piece still retains the original curls and shape with hairspray from when it was used.

Finger Cots Worn by Lucille Ball on I Love Lucy “The Audition” Episode

“The Audition” was filmed on October 12, 1951, a mere three days before the official television premiere of I Love Lucy. This was the sixth episode of the show where Lucy Ricardo replaces a clown named Buffo for an act at Ricky’s club. Lucy is referred to as “the professor” and is dressed in an oversized blue suit who plays the cello.

This act was initially conceived by the Arnazes along with Pepito & Joanne Perez as part of a vaudeville style act Lucy and Desi used, touring the country proving to CBS audiences across America would accept them. They also used the skit for the I Love Lucy pilot.

Part of Lucy’s costume were these cotton finger cots. Each used to cover the fingers of her left hand as she takes them off in dramatic fashion to the beat of the drum. The entire costume was originally on display at Universal Studios Hollywood ‘Lucy A Tribute’ exhibit for over 20 years. The rest of the outfit is now displayed alongside the prop cello in Lucy’s hometown of Jamestown, NY at the Lucy-Desi Museum.

Lucille Ball’s Tan Mink Car Coat

Lucille Ball kept warm in the winter months for over three decades wearing this tank mink car coat. Her husband Gary Morton gave her the fur in the mid 1960’s, wearing it on camera for their mid-January appearance of the gameshow Password.

The coat features a gold silk lining, two side pockets, a large lapel and collar that can be stood up or laid down and a rear belt. While on Password she says, “I like furs better than I do jewelry,” this fur being one of her favorites.

While in New York Lucy had a series of publicity shots taken in the coat high above the NYC skyline. She took it with her on overseas trips to Europe and into the 1980’s wore the coat to a “Little Shop of Horrors” show.

Joseff of Hollywood Earrings worn by Lucille Ball in MGM’s “Meet the People”

Lucille Ball’s fourth film with MGM was 1944’s “Meet the People. She stars alongside Dick Powell, featuring Virginia O’Brien, Bert Lahr, Rags Ragland and June Allyson in the World War II era musical. Lucy plays Julie Hampton, a Broadway star who leaves the stage to join Rosie the Riveters, becoming a welder and falling in love with her coworker “Swanee” played by Powell.

Lucille wears this pair of simulated diamond and pearl earrings in the movie. Made by Joseff of Hollywood each clip back earring is designed as a cluster of three pear-shaped simulated diamonds, centered upon a simulated pearl.

Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured, and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.

Lucille Ball’s Bandmaster Uniform from The Lucy Show “Main Street U.S.A.”

Lucy Carmichael and Mr. Mooney (Gale Gordon) travel to Bancroft, a small town whos mayor is asking the bank for a loan to build a highway. Unfortunately this construction would tear right down the middle of Main Street. Lucy joins the residents opposing the demolition for this January 1967 episode in season five of The Lucy Show.

Lucy performs a catchy song and dance number with guest stars Mel Torme and John Bubbles wearing this sequined bandmaster uniform. Designed by Edward Stevenson the costume consists of three, handmade pieces. The heavy, elongated jacket is completely covered in pink sequins with a matching mesh material placed over the top to soften the reflection and shine in the studio lights. It is adorned with gold metal buttons, gold lame trim on all the hems and gold metal fringe on the shoulder epaulettes, cuffs and bottom hem.

To complete the look, Stevenson constructed a custom-made hat that still has the original aqua feather attached and a pink velvet undergarment. This is also trimed with the metal fringe on the leg openings and is visible at the very end of the routine when Lucy does her big finish, raising her arms into the air. This is an incredibly detailed costume that must have taken hours to complete and Lucille looked sensational in it for the show-stopping finale.

Lucille Ball’s Canary Yellow Pantsuit

Lucille Ball wore this bright, canary yellow pantsuit to a luncheon in the mid-1980’s. The raw silk, custom-made ensemble consists of three pieces. A long sleeve, knee length duster jacket lined in off-white silk, a pair of pleated loose-fit pants with elastic waistband and rear zipper clousure, and a white short sleeve top featuring a mandarin collar with plunging neckline. Construction and materials used on this garment are similar to another pantsuit we have found here: Lucille Ball’s 3-Piece Aqua Pantsuit

Lucille Ball’s Cowhide Western Boots

One organization Lucille Ball supported for many years was SHARE. Founded in 1953 by the wifes of the Rat Pack, it is the oldest charity in Beverly Hills. In its 70+ years of exisitance, the members have raised over $65 million for children in need throughout the Los Angeles area.

Many of their fundraising events were a western theme. Lucy can be seen costumed in variations of this concept accompanied by Desi during the 1950’s, then Gary and family over the next three decades. These cowhide and leather western boots were Lucille’s and most likely worn to one of these galas. They were originally sold to the public during one of the estate auctions held in the mid-1990’s.

Happy Anniversary and Goodbye Yellow Wedding Gown

One of the first Lucille Ball Specials produced for TV under her production company – Lucille Ball Productions was Happy Anniversary and Goodbye which aired on November 19, 1974. Lucy starred alongside Art Carney as unhappily married couple, Norma and Malcom Michaels who are nearing their 25th anniversary.

Lucille wears this two-piece yellow gown after returning home from her daughter’s wedding. Made of a satin polyester, the custom-made ensemble features an oversized floor length dress with long sleeves, an empire waist and a slit neckline. It was oversized becuase Ball wore a bodysuit to give her the appearance of a “thicker” stature. Watch the show to find out why! The second piece is a lace-like, yellow and white floral design sleeveless duster that also matches the cuffs of the sleeves.

While arguing with Malcom in the opening scene, Art Carney talks about Norma spending $200 on a gown she’ll never wear again. In today’s money that would equate to roughly $1,200. This show is very different from the typical domestic portrayals and is far from the ‘Lucy’ character fans were use to at that time.