Joseff of Hollywood Earrings worn by Lucille Ball in MGM’s “Meet the People”

Lucille Ball’s fourth film with MGM was 1944’s “Meet the People. She stars alongside Dick Powell, featuring Virginia O’Brien, Bert Lahr, Rags Ragland and June Allyson in the World War II era musical. Lucy plays Julie Hampton, a Broadway star who leaves the stage to join Rosie the Riveters, becoming a welder and falling in love with her coworker “Swanee” played by Powell.

Lucille wears this pair of simulated diamond and pearl earrings in the movie. Made by Joseff of Hollywood each clip back earring is designed as a cluster of three pear-shaped simulated diamonds, centered upon a simulated pearl.

Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured, and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.

Lucille Ball’s Rhinestone Ring Worn to MAME Premiere

Auntie Mame returned to the big screen in 1974 with Lucille Ball starring as Mame Dennis in her last theatrical performance. Directed by Gene Saks (originally George Cukor) the technicolor musical was slated to begin production in early 1972 but was postponed a year after Lucy broke her leg in a skiing accident.

Finally on March 26th the film was released with a lavish Hollywood premiere at the Cinerama Dome on Sunset Blvd. Lucy wore a white ensemble, the same costume she would also wear in the movie, as well as this rhinestone encrusted ring. Featuring clusters of jewels balled together in a mound with an elastic band, it can be seen on her left index finger. Lucille celebrated and danced the night away along side her family, cast, crew and celebrities with the picture at last coming to fruition.

Lucille Ball Earrings worn on The Lucy Show

Lucy Carmichael tries to go on a date with Frank Winslow played by Clint Walker in The Lucy Show episode “Lucy and the Sleeping Beauty” which aired on November 15, 1965. Frank is a construction worker who is extremely tired when she shows up to Lucy’s place. If startled from sleeping he goes into combat mode from being in the war and starts swinging. Lucy unfortunately finds this out when he dozes off on her couch.

Lucy looks absolutely gorgeous in her new dress and wears these beautiful earrings for the date. The clip-on set features a circular gold base with emerald green beads and a cluster of lighter jade beads in a series of layers. They are very similar to the Miriam Haskell set Lucille owned and could very well been made by Haskell as well.

Necklace worn by Lucille Ball in “Annabel Takes a Tour” by Joseff of Hollywood

Annabel Takes a Tour (1938) was an early comedic film Lucille Ball starred in while under contract with RKO. It was the sequel to The Affairs of Annabel released that same year. Lucy played Annabel Allison a movie star who is desperate for some good publicity to help boost her career so she does a variety of wacky stunts.

In the film as well as publicity photos, Lucille wears this simulated diamond and sapphire necklace made by Joseff of Hollywood. Measuring twenty three inches in length, it features open metal work centering on a large central medallion.

The necklace as also worn by Bette Davis in a 1930’s publicity portrait, John Bennett in a wardrobe test for The Man in the Iron Mask (1939) Ruth Donnelly in Pillow to Post (1945).

Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.

Lucille Ball’s Ruby Ring from “The Magic Carpet” by Joseff of Hollywood

The Magic Carpet (1951) was the last film Lucille Ball starred in while under contract with Columbia Pictures. She plays Narah, a villainess Iraqi princess. Columbia gave her the part in the low-budget, B movie hoping Lucy would break her contract and not pay her for the remaining term. She did the film anyway to force their hand as well as hid her pregnancy with daughter Lucie.

Lucille wears gold ring in the film made by Joseff of Hollywood using their signature Russian plating technique. The piece features a white pearl surrounded by five simulated ruby stones.

Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.

Lucille Ball’s Emerald Necklace from “The Magic Carpet” by Joseff of Hollywood

The Magic Carpet (1951) was the last film Lucille Ball starred in while under contract with Columbia Pictures. She plays Narah, a villainess Iraqi princess. Columbia gave her the part in the low-budget, B movie hoping Lucy would break her contract and not pay her for the remaining term. She did the film anyway to force their hand as well as hid her pregnancy with daughter Lucie.

Lucille wears this 13″ choker style necklace in the film made by Joseff of Hollywood. The piece features large oval, bezel-set emerald color jewels and alternating diamonds with a spring clasp closure. The necklace was previously worn by Natalie Draper in Forever Amber (20th Century, 1947) and Adrian Booth in The Last Bandit (Republic, 1949).

Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.

Lucille Ball’s “Panama Lady” Brooch by Joseff of Hollywood

In 1939 Lucille Ball starred in Panama Lady an RKO film about a nightclub girl who gets involved with an oil rigger played by Allan Lane (he would come to be the voice of Mr. Ed). For the publicity shots of the movie Lucille wore this ornate, door knocker-style brooch with simulated amethysts by Joseff of Hollywood.

Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.

Lucille Ball’s Beaded Necklace

Lucille Ball wore this triple-strand, sky blue beaded choker for The Lucy Show publicity photos that were taken in Lucy’s backyard on Roxbury Drive sometime in the mid 1960’s. The strands of glass beads feature an ornate gold clasp studded with rhinestones that is so pretty she wore it in front. The necklace was eventually given to her niece, Pamela Ball (Von Pinnon).