Life With Lucy “Mother of the Bride” Script Signed by Lucille Ball

Actress Audrey Meadows, best known for portraying Alice Kramden on The Honeymooners, guest starred on the 8th episode of Life With Lucy which aired on November 15, 1986. This was sadly the last show of the series ABC released on television. The show was titled ‘Mother of the Bride’ and Audrey (using her real name for her character) is Lucy Barker’s sister who visits and takes over planning the wedding vows renewal of Ted (Larry Anderson) and Margo (Ann Dusenberry).

The on-screen chemistry between Lucy and Audrey was palpable and had the series continued, Audrey would have most likely become a regular cast member and cohort to Lucy’s antics. This is an original, revised first draft script from that show and has been signed on the cover boldly by Lucille Ball using her signature – Love, Lucy.

Lucille Ball’s Lilac 3-Piece Ensemble

Lucille Ball returned to TV in the Fall of 1986 in Life With Lucy. The show was produced by Aaron Spelling in association with Lucille Ball Productions for ABC. Her return to a weekly sitcom was heavily publicized, and for good reason. Fans could not wait to see the beloved redhead on television again. One publicity photoshoot of Lucy was done at Spelling’s Holmby Hills mansion dubbed “The Manor.” Photos of Ball wearing various outfits were taken by the pool and in and around the lush backyard.

One such garment was this custom-made, silk 3-piece ensemble. Pale lavender with a scattered floral pattern in black and white, it consists of a deep V-neck short sleeved blouse, loose fitting jacket with long, bell sleeves and pants featuring a bow attached at the waist, side pockets and French cut slits at the hemline. The jacket securely attaches to the blouse at the shoulders with snap buttons.

One image taken during this session can be seen in the October 1986 issue of Life Magazine in a beautiful, color full page spread. Had the series continued longer, Lucille would most likely have worn this outfit on the show. A very similar gown was constructed using the same material but in pale blue and worn in the episode “Mother of the Bride.” Lucy then wore this to Desi Jr. and Amy’s wedding in 1987.

Lucille Ball’s Nu-Trex Wig Cleaner

Categorized under unique and unusual is this empty tin quart of Nu-Trex Wig Cleaner once owned and used by Lucille Ball. Since 1947, Nu-Trex has created shampoos, conditioners and cleaners for hair industry professionals, including products for synthetic and real wigs.

Lucy famously wore many wigs starting in 1960’s so she and longtime hairstylist Imra Kusely most likely went through many bottles of this product. The tin was part of a collection of pieces Frank Gorey kept as he assisted the estate of cleaning and clearing out items from the Beverly Hills home, after Lucille’s passing. Frank was the Ball/Arnaz/Morton family’s majordomo for over three decades.

Handwritten Birthday Letter from Lucille Ball to Fred Williams

Fred Williams was a renowned makeup artist and celebrity portrait painter. He became Lucille Ball’s primary makeup man in the early 1970’s on her series Here’s Lucy and feature film, MAME. Lucille wrote this letter on her personal stationary to Fred and his wife Christine thanking them for remembering her birthday.

“Dearest Chris & Fred – Have tried to call you several times to tell you how happy I was with your birthday remembrance – I’m glad I caught you that nite you two are a slippery pair! Hope everything is well with you – My love as always Lucy”

Williams continued helping Lucy look incredible throughout the 80’s as well. Today fans can see a portrait of Lucy from MAME Fred painted on display at the Lucy-Desi Museum in her hometown of Jamestown, New York.

Wildcat Broadway Playbill Signed by Lucille Ball

The musical comedy “Wildcat” debuted in Philadelphia on October 29, 1960. However, the official Broadway premiere was delayed because of a major blizzard that left the trucks hauling sets and costumes to New York City stranded for several days. Finally on December 16th it opened at the Alvin Theatre in Midtown Manhattan.

This an original playbill from one of the performances on West 52nd Street that has been signed “Love Lucy” by the headliner herself, Lucille Ball. Three other signatures also adorn the cover who are believed to be dancers or other actors in the show.

Lucille Ball’s Silk Emilio Pucci Blouse

Emilio Pucci is known for creating garments full of colorful, geometric prints. Founded in 1947 the brand is still in operation today and headquartered in Florence, Italy, producing ready-to-wear clothes that stay true to Pucci’s original distinct style. In the 1960’s Emilio Pucci was thrusted into worldwide popularity when Marilyn Monroe became a fan, with some of her last photographs in a selection of Pucci items.

Lucille Ball owned and wore this pink paisley pattern Emilio Pucci silk blouse throughout the 60’s. Publicity shots were taken in her Beverly Hills backyard wearing the blouse, one of which became the cover to a writing pad. She also wore it to a Hawaiian themed party as seen in the photo with a young Lucie Arnaz behind her, and in a photo session with husband Gary Morton inside the Roxbury home. The size 16 elongated top features six covered buttons down the front, button cuffs and a scalloped hemline. Sewn into the back neckline is the Emilio Pucci label reading ‘Made in Italy for Saks Fifth Avenue.’

Lucille Ball’s “FLAME” Max Factor Creme Rough Makeup

We dug into Lucille Ball’s travel cosmetics case from a previous post to share one of her creme rouges. Made by Max Factor, a preferred makeup brand, the color is called ‘FLAME’ (cue the reference to her flaming red hair). Directions say to use finger tips to apply and blend. The swirl marks made by Lucy’s can easily be seen inside of this heavily used cosmetic.

Gale Gordon Commemorative Theater Glasses

Veteran character actor Gale Gordon appeared in all of Lucille Ball’s television series from the 1950’s until the 1980’s. Lucy originally wanted him to play the roll of Fred Mertz however he was commited to Our Miss Brooks. He was an incredible talent and perfect foil for all of Lucy’s antics.

In the 1980’s there were dinner theaters throughout Canada operated by Stage West. This included two locations in Winnipeg and Edmonton. Gale performed on the Edmonton stage in 1980 for “A Ghost on Tiptoe.” Then in 1982 at the Winnipeg location in “Norman is That You?” These were promotional drinking glasses the theater company produced to honor the stars performing in their shows. Each stand around seven inches tall and hold 8 oz. of liquid.

Today, Stage West still operates a dinner theater in Calgary. The Winnipeg theater was dempolished in 1985, while the one Edmonton now operates under the name Mayfield Dinner Theater.

Television Academy Arts & Sciences 14th Annual Ball Honoring Lucille Ball Ticket & Program

The Television Academy Arts & Sciences honored Lucille Ball on October 25, 1969 with an award and event proclaiming her “The First Lady of Television.” Held in the International Room at the Beverly Hilton Hotel, the 14th annual affair was emceed by ‘Mr. Television’ himself Milton Berle in front of 1,000 members. Also in attendance was Lucy’s husband Gary Morton, Lucie Arnaz and Desi Arnaz, Jr., Vivian Vance and many other friends.

Shown here is an original program, ticket and RSVP stub from the ball. A three-inch gold-plated metal table favor was also given to guests that evening. Lucy wore a beautiful aqua chiffon grown adorned with beads and rhinestones that trimmed the collar and front hem with sleeves that were engulfed with ostrich feathers at the ends. (to be featured in another post)

Lucille Ball’s Curly Red Wiglet

If a hairstyle called for a certain look or something extra, wiglets were used in addition to the regular wig. Simply pinned on the main wig these added height, shape, more curls or possible used to cover something.

This was one of Lucy’s red wiglets. Her longtime hairstylist Imra Kusely dyed it to match her hair color and the piece still retains the original curls and shape with hairspray from when it was used.

Finger Cots Worn by Lucille Ball on I Love Lucy “The Audition” Episode

“The Audition” was filmed on October 12, 1951, a mere three days before the official television premiere of I Love Lucy. This was the sixth episode of the show where Lucy Ricardo replaces a clown named Buffo for an act at Ricky’s club. Lucy is referred to as “the professor” and is dressed in an oversized blue suit who plays the cello.

This act was initially conceived by the Arnazes along with Pepito & Joanne Perez as part of a vaudeville style act Lucy and Desi used, touring the country proving to CBS audiences across America would accept them. They also used the skit for the I Love Lucy pilot.

Part of Lucy’s costume were these cotton finger cots. Each used to cover the fingers of her left hand as she takes them off in dramatic fashion to the beat of the drum. The entire costume was originally on display at Universal Studios Hollywood ‘Lucy A Tribute’ exhibit for over 20 years. The rest of the outfit is now displayed alongside the prop cello in Lucy’s hometown of Jamestown, NY at the Lucy-Desi Museum.

Lucille Ball’s Tan Mink Car Coat

Lucille Ball kept warm in the winter months for over three decades wearing this tank mink car coat. Her husband Gary Morton gave her the fur in the mid 1960’s, wearing it on camera for their mid-January appearance of the gameshow Password.

The coat features a gold silk lining, two side pockets, a large lapel and collar that can be stood up or laid down and a rear belt. While on Password she says, “I like furs better than I do jewelry,” this fur being one of her favorites.

While in New York Lucy had a series of publicity shots taken in the coat high above the NYC skyline. She took it with her on overseas trips to Europe and into the 1980’s wore the coat to a “Little Shop of Horrors” show.