The Television Academy Arts & Sciences honored Lucille Ball on October 25, 1969 with an award and event proclaiming her “The First Lady of Television.” Held in the International Room at the Beverly Hilton Hotel, the 14th annual affair was emceed by ‘Mr. Television’ himself Milton Berle in front of 1,000 members. Also in attendance was Lucy’s husband Gary Morton, Lucie Arnaz and Desi Arnaz, Jr., Vivian Vance and many other friends.
Shown here is an original program, ticket and RSVP stub from the ball. A three-inch gold-plated metal table favor was also given to guests that evening. Lucy wore a beautiful aqua chiffon grown adorned with beads and rhinestones that trimmed the collar and front hem with sleeves that were engulfed with ostrich feathers at the ends. (to be featured in another post)
“The Audition” was filmed on October 12, 1951, a mere three days before the official television premiere of I Love Lucy. This was the sixth episode of the show where Lucy Ricardo replaces a clown named Buffo for an act at Ricky’s club. Lucy is referred to as “the professor” and is dressed in an oversized blue suit who plays the cello.
This act was initially conceived by the Arnazes along with Pepito & Joanne Perez as part of a vaudeville style act Lucy and Desi used, touring the country proving to CBS audiences across America would accept them. They also used the skit for the I Love Lucy pilot.
Part of Lucy’s costume were these cotton finger cots. Each used to cover the fingers of her left hand as she takes them off in dramatic fashion to the beat of the drum. The entire costume was originally on display at Universal Studios Hollywood ‘Lucy A Tribute’ exhibit for over 20 years. The rest of the outfit is now displayed alongside the prop cello in Lucy’s hometown of Jamestown, NY at the Lucy-Desi Museum.
In July of 1951 Vivian Vance was performing at the La Jolla Playhouse in the production of “The Voice of the Turtle.” This would be the stage where Desi Arnaz and Jess Oppenheimer watched their soon to be ‘Ethel Mertz’ portray Olive Lashbrooke in the Saturday, July 28th matinee.
The program shown here is the original copy Vivian Vance kept for her archives. Viv’s sister Lou Ann Graham inherited all of her programs from her years of stage performances. These were sold to the public in Lucille Ball’s hometown of Jamestown, NY during one of the annual festivals.
Elizabeth Patterson was a veteran character actress before she famously became known as Matilda Trumbull, neighbor to Lucy and Ricky Ricardo on I Love Lucy. Like most actors from the golden era of Hollywood, Patterson began her career in the theatre with her first Broadway appearance in 1913’s Everyman. Her first movie was a silent film made in 1926 called The Boy Friend.
Elizabeth’s introductory appearance on television was in fact I Love Lucy for the 1952 episode “The Marriage License.” She portrayed Mrs. Willoughby who marries the Ricardos for a second time in Greenwich, Connecticut (honoring where Lucy and Desi were wed in real life). She was then cast as Mrs. Trumbull after Little Ricky was born.
This is a holiday card sent by the actress. The single sided piece of red cardstock with a metallic gold border, measures roughly 8 inches by 3 inches and features Patterson’s writing and signature printed in white that reads:
A polka dot dress was a signature look of Lucy Ricardo and to this day, Lucy and polka dots are synonymous with one another. Throughout her television career Lucille Ball wore variations of this pattern in the form of dresses in the 1950’s to blouses in the 60’s and 70’s.
On October 6, 1958 the premiere episode of the second season of TheLucille Ball-Desi Arnaz Show (The Lucy-Desi Comedy Hour in syndication) aired, entitled “Lucy Goes to Mexico.” The Ricardos and Mertzes are in San Diego, staying at the Hotel Del Coronado because Ricky is doing a USO show with Maurice Chevalier onboard the U.S. Navy aircraft carrier Yorktown. Lucy and the Mertzes decide to go south into Tijuana on a routine souvenir hunt. In true fashion, Lucy gets into trouble when a stowaway causes problems as they attempt to come back across the border.
Lucy wears an iconic polka dot dress for nearly the entire episode. Presented here is her stunt double’s dress, an exact replication to the one Lucille Ball wore. It can be seen on Lucy’s stand-in who’s running from the Policia through the streets of Tijuana. The unique polka dot pattern confirms this as the one Lucy Ricardo wears is slightly different and is currently in a private collection.
The two piece, A-line dress is made of a light brown silk-taffeta with beige polks dots. A long sleeve jacket features a zipper front, off-white canvas trim on the cuffs and waist along with a very large notched collar. Inside the jacket is a CBS garment tag attached near the zipper. The short sleeve dress features the same off-white canvas trim on the sleeve hems and has a full length zipper with hook and eye closures on the back. A sheer white silk lining can be found on the inside of the body.
This look was the inspiration of a large wooden statue carved out of a tree stump that once stood in the Lucille Ball Memorial Park from the late 1990’s to early 2000’s. The park banks Lake Chautauqua in Lucy’s hometown of Celeron, NY and is the current home of a beautiful bronze statue by Carolyn Palmer of Lucille Ball as Lucy Ricardo wearing a polka dot dress.
This colorful silk caftan-style blouse was owned and worn by Vivian Vance. Designed by Don Loper it features a floral painted-like pattern, 3/4 length kimono sleeves, side seam slits and a boat neckline. Viv gave the blouse to her little sister Lou Ann Graham who kept it for many years before consigning the piece for an auction held in Lucille Ball’s hometown of Jamestown, New York in the mid 2000’s.
A ‘Lucille Ball Special’ was an occasional show presented in prime-time after Here’s Lucy finished its run in 1974. Fans were able to see Lucille in various avenues all produced by her production company – Lucille Ball Productions.
One of the last of these specials was 1977’s “Lucy Calls the President.” Lucy plays ‘Lucy Whittaker’ a housewife opposide ‘Floyd,’ her husband played by Ed McMahon, who live in Bundy, Indiana. Lucy calls The White House when then President Jimmy Carter did weekly radio shows. Carter tells Lucy he’ll be in the area to discuess the matter of her call which evolves to a dinner at her home. When word gets out in this small town, all her friends want to be invited.
These friends are thankfully a wonderful reunion of favorite ‘Lucy’ co-stars including Gale Gordon, Vivian Vance, Mary Wickes and Mary Jane Croft. This show as amazing as it was also turned out to be one of sadness and unfortunate ‘lasts.’ Lucille’s mother DeDe had recently passed before filming and it was the first show she was not in the audience for. Lucy was emotional espeically at the begining of filming. Vivian Vance also found out she had bone cancer and this would be their last on screen performance together.
Presented here is an original production used script from the show as well as an audience ticket. It was filmed in Burbank, CA for CBS on Friday, September 2, 1977. As seen on both pieces a title for the special was yet to be determined.
The Television Academy Arts & Sciences honored Lucille Ball on October 25, 1969 with an award and event proclaiming her “The First Lady of Television.” Held at the Beverly Hilton, the 14th annual affair was emceed by ‘Mr. Television’ himself Milton Berle in front of 1,000 members. Also in attendance was Lucy’s husband Gary Morton, two children, Lucie Arnaz and Desi Arnaz, Jr. and close friend Vivian Vance. During her emotional speech talking about Viv she said,
“I’m supposed to say something like ‘the vivacious, vital, Vivian Vance.’ But that isn’t it. We’ve been through so much together on the screen and off. Some good times, some bad times.”
This three inch gold plated metal table favor was given to guests that evening. The souvenir statue is made to look like a TV atop the academy’s acronym: ‘NATAS.’ An engraved insert features the Lucille Ball caracature drawn by Al Hirschfeld and the text ‘A Salute To Lucille Ball – October 25, 1969.’
When I Love Lucy changed its format from 30 mintues to a whole hour in 1957, the Desilu team renamed it “The Lucille Ball-Desi Arnaz Show” aka “The Lucy-Desi Comedy Hour.” For the second season, episode three, airing February 9, 1959 – ‘Lucy Goes to Alaska’ the guest star was fellow red-headed comedian Red Skelton. Towards the end of the show the duo perform a memorable pantomime sketch portraying tramps and finish with a song titled “Poor Everybody Else.”
This black and white 8×10 original publicity photo of Lucy and Red was retained by Lucille Ball for her scrapbook. The interior of the folder that displays the photo reads “Scrapbook – with Red “poor us” – poor everybody else” written entirely by Lucille. She was known to keep special photos, write ups in the press and momentos in huge scrapbooks throughout her career. This ‘Freddy the Freeloader’ act is brilliant for it was done by two of the best pantomime actors.
The 1960’s saw a return of the “Lucy” character when Lucille Ball started a new weekly comedy series called The Lucy Show. Teaming up with old pal Vivian Vance, the dynamic duo brought back the hilarity that was beloved the world over.
Lucy Carmichael, a widow with two kids and Vivian Bagley, a divorcee with one kid share a home together in ficticious Danfield, New York in a show that first aired on October 1, 1962. It was hit, lasting six seasons until early 1968.
Presented here are two audience tickets to a filming of this iconic sitcom. The first is from the eighth show of the second season for the episode “Lucy Decides to Redecorate” which was filmed on June 20, 1963. This season was the start of the series being filmed in color, giving fans the chance to finally see the red-head in all hues on TV. Special note – the ticket lists Vivian Vance as a co-star.
The other ticket is from a fifth season, October 27, 1966 filming of the episode entitled “Lucy and the Monkey” and does not list Viv or any co-stars. Vance left the series at the end of the third season but would return occasionally as a guest star. By this time Gale Gordon was the primary co-star and foil to Lucy’s antics.
In the Summer of 1951 Vivian Vance was on stage at the La Jolla Playhouse in the production of “The Voice of the Turtle.” While staying at the La Jolla Palms Hotel, Vance wrote to her parents with this postcard postmarked July 16, 1951 which reads:
“This is the greatest place since Italy – we just love it – and so cool cool. We’ll be here 3 week – Love Vivian”
The show opened on Tueday, July 24, 1951. Around this time the ‘Lucy‘ crew was desparately searching for someone to play Ethel Mertz on a new TV show set to begin production in a few weeks. Director Marc Daniels recalled an actress he’d worked with that was performing at the La Jolla Playhouse. Desi Arnaz and Jess Oppenheimer drove down to see the Saturday, July 28th matinee. They found their Ethel and the rest is history.
Lucille Ball once said, “I love furs. I actually like them more than jewelry.” This black wool coat trimmed in silver fox fur was one of her favorites. For their one year anniversary Lucy and Gary decided to head East to New York City and celebrate where they first met. During the Thanksgiving holiday hiatus, Lucy and Vivian Vance flew into Idlewild Airport to meet their husbands on November 15, 1962 where Lucy was photographed wearing the coat.
An image of Lucy and Viv taken on this trip inspired famed characture artist Al Hirschfeld to capture the dynamic dou which he rendered into the well-known sketch of Lucille holding her purse and cigarette. This artwork would be used over the years for such things as the 1984 Museum of Broadcasting event honoring Lucy as the First Lady of Comedy.
Lucy Carmichael would wear the coat as part of a disguise on the March 22, 1965 episode of The Lucy Show entitled, “Lucy and the Beauty Doctor.” It is most likely around this time Lucille gifted the coat to close friend and actress Carole Cook who often guest starred in the series and lent her voice as ‘Lady Cynthia’ for this particular episode. Carole would wear and retain the coat for over the next 50 years.
