Lucille Ball’s 1983 March of Dimes Jack Benny Memorial Award

On Thursday evening, June 2, 1983 Lucille Ball was honored by the March of Dimes with the Jack Benny Memorial Award at the Century Plaza Hotel in Los Angeles. Guests for the event included Julie Andrews, Bob Hope, Jack Lemmon, Dean Martin and Gregory Peck. Close friend and fellow comedian Carol Burnett presented Lucy the award for lifelong contributions to the world of entertainment and her dedicated support of charitable causes.

The award is actually an enameled wood music box that measures roughly 9 inches by 5 inches and features a bronze plaque on the inside engraved “March of Dimes Jack Benny Memorial Award presented to Lucille Ball – June 2, 1983” along with a depiction of Benny’s signature violin and the March of Dimes logo.

The exterior lid is adorned with a decorative antique porcelain rose from the People’s Republic of China, crafted circa 1862-74 by Tung Chih. Also shown here is an original silver program from the ceremony with an illustration sketch of Lucille on the cover. Ball also signed it on the front as well inside with an inscription “To Eddy.” The program is filled with photos and salutations from various celebrities, friends, industry leaders and networks.

Lucille Ball’s Favorite Beaded Jacket from The Lucy Show with Dean Martin

On Valentine’s Day 1966, The Lucy Show’s “Lucy Dates Dean Martin” aired. Lucille Ball considered this show to be her favorite episode of all her series. Fans can agree the script was adorable and Lucy looked simply stunning with her flip-style hairdo while wearing this gorgeous, beaded jacket. The piece was Lucy’s actual personal garment she brought on set to represent an auction item for a Hollywood charity ball, purportedly worn by Audrey Hepburn in “Danger in Paris.”

The jacket was custom made for Ball using a plush olive-green velvet damask with thousands of hand sewn fuchsia sequins, beads, and rhinestones. The inside is lined with a pink silk fabric, and the stand-up collar has a single gold hook and loop closure. The black underdress was also Lucy’s however it is not the one used in the episode. It is similar and for displaying of this jacket.

Lucy’s reaction when Eddie Feldman (Dean Martin) buys the jacket for her is genuine, heartfelt and purely emotional that comes through on camera. In that moment we are truly happy for Lucy Carmichael getting the chance to own something so expensive and beautiful.

Lucille previously wears the jacket when she portrays Judy Garland on Danny Kaye’s 1962 special. Then in the 1974 episode of Here’s Lucy – “Lucy Carter Meets Lucille Ball” the jacket can be seen hung in the closet of her dressing room next to other personal clothing.

Lucille Ball & Gary Morton 5×7 Vacation Photo

With the start of vacation season in full swing, we’d like to share a snapshot of Lucille Ball and Gary Morton taking sun and enjoying their tropical surroundings. This 5×7 photo of the couple was taken most likely in Hawaii in the early to mid-1960’s. With its gold/bronze color frame, the picture once hung in the Morton’s home. Aloha!

Lucille Ball’s Lilac 3-Piece Ensemble

Lucille Ball returned to TV in the Fall of 1986 in Life With Lucy. The show was produced by Aaron Spelling in association with Lucille Ball Productions for ABC. Her return to a weekly sitcom was heavily publicized, and for good reason. Fans could not wait to see the beloved redhead on television again. One publicity photoshoot of Lucy was done at Spelling’s Holmby Hills mansion dubbed “The Manor.” Photos of Ball wearing various outfits were taken by the pool and in and around the lush backyard.

One such garment was this custom-made, silk 3-piece ensemble. Pale lavender with a scattered floral pattern in black and white, it consists of a deep V-neck short sleeved blouse, loose fitting jacket with long, bell sleeves and pants featuring a bow attached at the waist, side pockets and French cut slits at the hemline. The jacket securely attaches to the blouse at the shoulders with snap buttons.

One image taken during this session can be seen in the October 1986 issue of Life Magazine in a beautiful, color full page spread. Had the series continued longer, Lucille would most likely have worn this outfit on the show. A very similar gown was constructed using the same material but in pale blue and worn in the episode “Mother of the Bride.” Lucy then wore this to Desi Jr. and Amy’s wedding in 1987.

Lucille Ball’s Nu-Trex Wig Cleaner

Categorized under unique and unusual is this empty tin quart of Nu-Trex Wig Cleaner once owned and used by Lucille Ball. Since 1947, Nu-Trex has created shampoos, conditioners and cleaners for hair industry professionals, including products for synthetic and real wigs.

Lucy famously wore many wigs starting in 1960’s so she and longtime hairstylist Imra Kusely most likely went through many bottles of this product. The tin was part of a collection of pieces Frank Gorey kept as he assisted the estate of cleaning and clearing out items from the Beverly Hills home, after Lucille’s passing. Frank was the Ball/Arnaz/Morton family’s majordomo for over three decades.

Handwritten Birthday Letter from Lucille Ball to Fred Williams

Fred Williams was a renowned makeup artist and celebrity portrait painter. He became Lucille Ball’s primary makeup man in the early 1970’s on her series Here’s Lucy and feature film, MAME. Lucille wrote this letter on her personal stationary to Fred and his wife Christine thanking them for remembering her birthday.

“Dearest Chris & Fred – Have tried to call you several times to tell you how happy I was with your birthday remembrance – I’m glad I caught you that nite you two are a slippery pair! Hope everything is well with you – My love as always Lucy”

Williams continued helping Lucy look incredible throughout the 80’s as well. Today fans can see a portrait of Lucy from MAME Fred painted on display at the Lucy-Desi Museum in her hometown of Jamestown, New York.

Lucille Ball & Gary Morton Bedside Turn Down Mat

Turn down mats are placed bedside on the floor so when you step into bed it reads “Good Night.” Then when you arrise and get out of bed, the opposite side reads “Good Morning.” This white linen turn down mat was made for Lucille Ball and Gary Morton. Embroidered with light blue thread the mat reads:

“Good Morning Lucy – Good Night Gary”

It’s unclear if this is a prototype sample or a gift to the couple as the same name should appear on both sides but it is certainly a unique item from the Morton’s bedroom.

Lucille Ball’s Silk Emilio Pucci Blouse

Emilio Pucci is known for creating garments full of colorful, geometric prints. Founded in 1947 the brand is still in operation today and headquartered in Florence, Italy, producing ready-to-wear clothes that stay true to Pucci’s original distinct style. In the 1960’s Emilio Pucci was thrusted into worldwide popularity when Marilyn Monroe became a fan, with some of her last photographs in a selection of Pucci items.

Lucille Ball owned and wore this pink paisley pattern Emilio Pucci silk blouse throughout the 60’s. Publicity shots were taken in her Beverly Hills backyard wearing the blouse, one of which became the cover to a writing pad. She also wore it to a Hawaiian themed party as seen in the photo with a young Lucie Arnaz behind her, and in a photo session with husband Gary Morton inside the Roxbury home. The size 16 elongated top features six covered buttons down the front, button cuffs and a scalloped hemline. Sewn into the back neckline is the Emilio Pucci label reading ‘Made in Italy for Saks Fifth Avenue.’

Lucille Ball’s “FLAME” Max Factor Creme Rough Makeup

We dug into Lucille Ball’s travel cosmetics case from a previous post to share one of her creme rouges. Made by Max Factor, a preferred makeup brand, the color is called ‘FLAME’ (cue the reference to her flaming red hair). Directions say to use finger tips to apply and blend. The swirl marks made by Lucy’s can easily be seen inside of this heavily used cosmetic.

Lucille Ball’s Lip Print on birthday note card from Gary Morton

On Lucille Ball’s 69th birthday in 1980, Gary Morton gave her a beautiful piece of jewelry. Inside a small envelope with Lucy on the outside was this notecard which Gary affectionately wrote:

“Lucy – Cause I Love you Happy Birthday Morty”

Lucille adored what Gary gave her not only keeping this card but writing what she got in blue marker “gold diamond and pearl necklace!!” On the front of the envelope, she also wrote the year and kissed it leaving a big lip print. This was something Lucy was known to do if she was really impressed by something, or it had special meaning.

Lucille Ball’s Curly Red Wiglet

If a hairstyle called for a certain look or something extra, wiglets were used in addition to the regular wig. Simply pinned on the main wig these added height, shape, more curls or possible used to cover something.

This was one of Lucy’s red wiglets. Her longtime hairstylist Imra Kusely dyed it to match her hair color and the piece still retains the original curls and shape with hairspray from when it was used.

Appreciative handwritten notecard from Lucille Ball to Frank Gorey

The Ball/Arnaz families were very loyal and generous to those close to them. These people were more like extended family, there for decades, through the good times and bad. One such person was Frank Gorey. He first started working with the Arnazes in 1959 as a chauffeur. After the divorce he stayed with Lucille Ball for the next 30 years, becoming the majordomo of the households.

An example of her admiration for ‘Francis’ is written in this note which included a check:

“Frank dear – I do appreciate how thoughtful and helpful you have been these last few months – which have been really so difficult for me – I never expected to fall apart as I have – Please buy your camera or whatever you want – Greatfully Lucy”

Frank was kind-hearted and loved to tell stories about his days with the redhead. He remained close to the family, as well as friends and loved ones met along the way until his passing in 2019.