Lucille Ball’s Lilac 3-Piece Ensemble

Lucille Ball returned to TV in the Fall of 1986 in Life With Lucy. The show was produced by Aaron Spelling in association with Lucille Ball Productions for ABC. Her return to a weekly sitcom was heavily publicized, and for good reason. Fans could not wait to see the beloved redhead on television again. One publicity photoshoot of Lucy was done at Spelling’s Holmby Hills mansion dubbed “The Manor.” Photos of Ball wearing various outfits were taken by the pool and in and around the lush backyard.

One such garment was this custom-made, silk 3-piece ensemble. Pale lavender with a scattered floral pattern in black and white, it consists of a deep V-neck short sleeved blouse, loose fitting jacket with long, bell sleeves and pants featuring a bow attached at the waist, side pockets and French cut slits at the hemline. The jacket securely attaches to the blouse at the shoulders with snap buttons.

One image taken during this session can be seen in the October 1986 issue of Life Magazine in a beautiful, color full page spread. Had the series continued longer, Lucille would most likely have worn this outfit on the show. A very similar gown was constructed using the same material but in pale blue and worn in the episode “Mother of the Bride.” Lucy then wore this to Desi Jr. and Amy’s wedding in 1987.

Lucille Ball’s Personal Red Wig

Irma Kusely first worked with Lucille Ball in the 1940’s at MGM. Nearly a decade later they would reunite on I Love Lucy. Irma became Lucy’s hair stylist for next four decades. Kusely began her Hollywood career at Max Factor styling wigs where she learned the technique of how they were made by hand using real hair.

In the clip shown above from a 2001 Television Academy Arts & Sciences interview, Irma makes it clear about Lucy’s hair color – “It’s not red at all, it’s a golden apricot color.”

Irma’s career with Lucy spanned hundreds of appearances both on and off screen. In the early 1990’s she was asked to supply some of Lucy’s custom wigs for Universal Studio’s “Lucy: A Tribute” exhibit. This is one of those wigs, still styled and untouched since Irma did it over 30 years ago.