“Lucy Goes to Mexico” Polka dot Dress

A polka dot dress was a signature look of Lucy Ricardo and to this day, Lucy and polka dots are synonymous with one another. Throughout her television career Lucille Ball wore variations of this pattern in the form of dresses in the 1950’s to blouses in the 60’s and 70’s.

On October 6, 1958 the premiere episode of the second season of The Lucille Ball-Desi Arnaz Show (The Lucy-Desi Comedy Hour in syndication) aired, entitled “Lucy Goes to Mexico.” The Ricardos and Mertzes are in San Diego, staying at the Hotel Del Coronado because Ricky is doing a USO show with Maurice Chevalier onboard the U.S. Navy aircraft carrier Yorktown. Lucy and the Mertzes decide to go south into Tijuana on a routine souvenir hunt. In true fashion, Lucy gets into trouble when a stowaway causes problems as they attempt to come back across the border.

Lucy wears an iconic polka dot dress for nearly the entire episode. Presented here is her stunt double’s dress, an exact replication to the one Lucille Ball wore. It can be seen on Lucy’s stand-in who’s running from the Policia through the streets of Tijuana. The unique polka dot pattern confirms this as the one Lucy Ricardo wears is slightly different and is currently in a private collection.

The two piece, A-line dress is made of a light brown silk-taffeta with beige polks dots. A long sleeve jacket features a zipper front, off-white canvas trim on the cuffs and waist along with a very large notched collar. Inside the jacket is a CBS garment tag attached near the zipper. The short sleeve dress features the same off-white canvas trim on the sleeve hems and has a full length zipper with hook and eye closures on the back. A sheer white silk lining can be found on the inside of the body.

This look was the inspiration of a large wooden statue carved out of a tree stump that once stood in the Lucille Ball Memorial Park from the late 1990’s to early 2000’s. The park banks Lake Chautauqua in Lucy’s hometown of Celeron, NY and is the current home of a beautiful bronze statue by Carolyn Palmer of Lucille Ball as Lucy Ricardo wearing a polka dot dress.

Lucille Ball’s Bandmaster Uniform from The Lucy Show “Main Street U.S.A.”

Lucy Carmichael and Mr. Mooney (Gale Gordon) travel to Bancroft, a small town whos mayor is asking the bank for a loan to build a highway. Unfortunately this construction would tear right down the middle of Main Street. Lucy joins the residents opposing the demolition for this January 1967 episode in season five of The Lucy Show.

Lucy performs a catchy song and dance number with guest stars Mel Torme and John Bubbles wearing this sequined bandmaster uniform. Designed by Edward Stevenson the costume consists of three, handmade pieces. The heavy, elongated jacket is completely covered in pink sequins with a matching mesh material placed over the top to soften the reflection and shine in the studio lights. It is adorned with gold metal buttons, gold lame trim on all the hems and gold metal fringe on the shoulder epaulettes, cuffs and bottom hem.

To complete the look, Stevenson constructed a custom-made hat that still has the original aqua feather attached and a pink velvet undergarment. This is also trimed with the metal fringe on the leg openings and is visible at the very end of the routine when Lucy does her big finish, raising her arms into the air. This is an incredibly detailed costume that must have taken hours to complete and Lucille looked sensational in it for the show-stopping finale.

Lucille Ball’s Aqua Ostrich Feather Vest

In 1964 Lucille Ball started a radio show called Let’s Talk to Lucy interviewing many people she found interesting both famous and not. One interview was with Academy Award winning designer, Edith Head. Towards the end of their two day session Lucy discusses her love of feathers and the color aqua. Edith dreams up an aqua feather cape and slim dress for Lucy and thus, this creation was born.

Featuring sections of handsewn aqua ostrich feathers, covering an elongated vest-style garment, Edith along with Edward Stevenson made this one of a kind piece for Lucille Ball. Lucy wears the vest for the opening credits of The Lucy Show (a rare behind the scenes clip of the filming for this is shown here). Then in March of 1967 Lucy wears it to the New York City premiere of Throughly Modern Millie starring Julie Andrews, Mary Tyler Moore and Carol Channing. In 1969 Lucille makes a very brief apperance at the end with it on Jack Benny’s New Look slapping Jack’s face saying “How dare you do a special without me!” In Lucy’s 1974 film of MAME it can be seen briefly in her stateroom amongst many of her other personal garments. Finally, as part of her western costume while attending a S.H.A.R.E. party in the mid-1970’s, Lucy wears the vest alongside her husband Gary Morton and mother, DeDe.

If the whereabouts of the sheath dress under the vest are known, please contact us!

Lucille Ball’s 1967 Emmy Awards Gown

On June 4, 1967 Lucille Ball won her third Emmy for ‘Outstanding Actress in a Leading Role in a Comedy Series’ for The Lucy Show. This honor was a complete shock to Ball saying, “I cannot believe it” multiple times.

Lucy accepted the award wearing this custom-made, floor length sheath dress with a pastel green, pink and blue floral pattern, ornamented with silver sequins and rhinestones. The gown was designed and made by Edward Stevenson and features a boat neckline, cap sleeves, two side slits and has a pink silk lining with zipper back closure. To match the dress a clutch by Kurt Chambre was also custom-made using the same materials. The gown originally had a sheer chiffon caftan that went over it but somehow over the years has been separated.*

Lucille wears the gown for a second time the following year on the final episode of The Lucy Show entitled “Lucy and the ‘Boss of the Year’ Award” which aired on March 11, 1968. She appears in it for a third time as a guest star on “Ann Margret: From Hollywood with Love” that aired on December 6, 1969. Also part of this group is an original program from the 1967 Emmy Awards and a gold metal table favor commemorating the event.

*If the whereabouts of the sheer caftan are known, please contact us!

Lucille Ball’s Beaded Turquoise Clutch

In the 1960’s Edith Head and Edwards Stevenson made Lucille Ball a heavily beaded, turquoise sheath dress. To match the garment they also made a custom clutch to complete the look. This blue Pert Bag ‘original’ was covered in the matching fabric and the same beadwork pattern as the dress. Each bead, stone and sequin was handsewn on. It proved to be a favorite of Lucy’s as she carried it around to various events throughout the 60’s and 70’s.

If the whereabouts of the sheath dress (see last photo) are known, please contact us!