The Television Academy Arts & Sciences honored Lucille Ball on October 25, 1969 with an award and event proclaiming her “The First Lady of Television.” Held in the International Room at the Beverly Hilton Hotel, the 14th annual affair was emceed by ‘Mr. Television’ himself Milton Berle in front of 1,000 members. Also in attendance was Lucy’s husband Gary Morton, Lucie Arnaz and Desi Arnaz, Jr., Vivian Vance and many other friends.
Shown here is an original program, ticket and RSVP stub from the ball. A three-inch gold-plated metal table favor was also given to guests that evening. Lucy wore a beautiful aqua chiffon grown adorned with beads and rhinestones that trimmed the collar and front hem with sleeves that were engulfed with ostrich feathers at the ends. (to be featured in another post)
If a hairstyle called for a certain look or something extra, wiglets were used in addition to the regular wig. Simply pinned on the main wig these added height, shape, more curls or possible used to cover something.
This was one of Lucy’s red wiglets. Her longtime hairstylist Imra Kusely dyed it to match her hair color and the piece still retains the original curls and shape with hairspray from when it was used.
“The Audition” was filmed on October 12, 1951, a mere three days before the official television premiere of I Love Lucy. This was the sixth episode of the show where Lucy Ricardo replaces a clown named Buffo for an act at Ricky’s club. Lucy is referred to as “the professor” and is dressed in an oversized blue suit who plays the cello.
This act was initially conceived by the Arnazes along with Pepito & Joanne Perez as part of a vaudeville style act Lucy and Desi used, touring the country proving to CBS audiences across America would accept them. They also used the skit for the I Love Lucy pilot.
Part of Lucy’s costume were these cotton finger cots. Each used to cover the fingers of her left hand as she takes them off in dramatic fashion to the beat of the drum. The entire costume was originally on display at Universal Studios Hollywood ‘Lucy A Tribute’ exhibit for over 20 years. The rest of the outfit is now displayed alongside the prop cello in Lucy’s hometown of Jamestown, NY at the Lucy-Desi Museum.
Lucille Ball kept warm in the winter months for over three decades wearing this tank mink car coat. Her husband Gary Morton gave her the fur in the mid 1960’s, wearing it on camera for their mid-January appearance of the gameshow Password.
The coat features a gold silk lining, two side pockets, a large lapel and collar that can be stood up or laid down and a rear belt. While on Password she says, “I like furs better than I do jewelry,” this fur being one of her favorites.
While in New York Lucy had a series of publicity shots taken in the coat high above the NYC skyline. She took it with her on overseas trips to Europe and into the 1980’s wore the coat to a “Little Shop of Horrors” show.
In July of 1951 Vivian Vance was performing at the La Jolla Playhouse in the production of “The Voice of the Turtle.” This would be the stage where Desi Arnaz and Jess Oppenheimer watched their soon to be ‘Ethel Mertz’ portray Olive Lashbrooke in the Saturday, July 28th matinee.
The program shown here is the original copy Vivian Vance kept for her archives. Viv’s sister Lou Ann Graham inherited all of her programs from her years of stage performances. These were sold to the public in Lucille Ball’s hometown of Jamestown, NY during one of the annual festivals.
Aaron Spelling Productions started a new weekly series on ABC for the Fall of 1986 called “Life With Lucy.” Lucille Ball would return to television in an attempt to resurrect the “Lucy” character fans all knew and loved. Wanting to get ‘back in her arena’ she called on veteran actor Gale Gordon to be her straight man and co-star.
This sweatshirt is believed to be a gift to the cast and crew or possibly a prototype. Since the show was unfortunately canceled early on, plans to potentially mass produce these ceased. It features the Al Hirschfeld caricature and a variation of show’s logo printed in a totally 80’s salmon pink with royal blue shadowing. Similar promotional items were made including hats, bumper stickers and a jacket (which was shared in a past post).
A polka dot dress was a signature look of Lucy Ricardo and to this day, Lucy and polka dots are synonymous with one another. Throughout her television career Lucille Ball wore variations of this pattern in the form of dresses in the 1950’s to blouses in the 60’s and 70’s.
On October 6, 1958 the premiere episode of the second season of TheLucille Ball-Desi Arnaz Show (The Lucy-Desi Comedy Hour in syndication) aired, entitled “Lucy Goes to Mexico.” The Ricardos and Mertzes are in San Diego, staying at the Hotel Del Coronado because Ricky is doing a USO show with Maurice Chevalier onboard the U.S. Navy aircraft carrier Yorktown. Lucy and the Mertzes decide to go south into Tijuana on a routine souvenir hunt. In true fashion, Lucy gets into trouble when a stowaway causes problems as they attempt to come back across the border.
Lucy wears an iconic polka dot dress for nearly the entire episode. Presented here is her stunt double’s dress, an exact replication to the one Lucille Ball wore. It can be seen on Lucy’s stand-in who’s running from the Policia through the streets of Tijuana. The unique polka dot pattern confirms this as the one Lucy Ricardo wears is slightly different and is currently in a private collection.
The two piece, A-line dress is made of a light brown silk-taffeta with beige polks dots. A long sleeve jacket features a zipper front, off-white canvas trim on the cuffs and waist along with a very large notched collar. Inside the jacket is a CBS garment tag attached near the zipper. The short sleeve dress features the same off-white canvas trim on the sleeve hems and has a full length zipper with hook and eye closures on the back. A sheer white silk lining can be found on the inside of the body.
This look was the inspiration of a large wooden statue carved out of a tree stump that once stood in the Lucille Ball Memorial Park from the late 1990’s to early 2000’s. The park banks Lake Chautauqua in Lucy’s hometown of Celeron, NY and is the current home of a beautiful bronze statue by Carolyn Palmer of Lucille Ball as Lucy Ricardo wearing a polka dot dress.
This colorful silk caftan-style blouse was owned and worn by Vivian Vance. Designed by Don Loper it features a floral painted-like pattern, 3/4 length kimono sleeves, side seam slits and a boat neckline. Viv gave the blouse to her little sister Lou Ann Graham who kept it for many years before consigning the piece for an auction held in Lucille Ball’s hometown of Jamestown, New York in the mid 2000’s.
Here’s Lucy premiered on CBS in late September of 1968. The third sitcom for ‘Lucy and Co.’ centered around the Carter family who lived in Southern California. Lucille Ball starred alongside Gale Gordon, who portrayed brother-in-law Harrison Carter, and her children Lucie Arnaz and Desi Arnaz Jr. as her on screen kids Kim and Craig. The show ran for six successful seasons, ending in 1974.
This navy blue baseball hat was gifted to the cast and crew during the series’ run. The patchwork font of Here’s Lucy adorns the front along with an embroidered replication of the Lucille Ball Productions logo and caricature of Lucy by artist Al Hirschfeld. Very few of these exist today as they were not made for the general public.
In 1960 Lucille Ball headed East to star in the musical comedy “Wildcat” on Broadway. The show, which was partially financed by Desilu, debuted in Philadelphia on October 29, 1960. The official Broadway premiere was delayed because of a major blizzard that left the trucks hauling sets and costumes to New York City stranded for several days. However, on December 16th it opened at the Alvin Theatre on West 52nd Street.
These are some original promotional items which include a large program featuring cast bios on the inside and a fantastic photo of Lucy as Wildcat “Wildy” Jacson on the back, an oversized sticker and pinback button both with matching color scheme of a red and yellow and the proclamation “Broadway Loves Lucy.”
Lucille Ball was known for gifting clocks to those close her, often with a note that said “I’ll always have time for you.” She and husband Gary Morton gave this small quartz table clock on one such occasion. Made of lucite, it is etched with LOVE, LUCY & GARY under the LCD display.
Lucy Carmichael and Mr. Mooney (Gale Gordon) travel to Bancroft, a small town whos mayor is asking the bank for a loan to build a highway. Unfortunately this construction would tear right down the middle of Main Street. Lucy joins the residents opposing the demolition for this January 1967 episode in season five of The Lucy Show.
Lucy performs a catchy song and dance number with guest stars Mel Torme and John Bubbles wearing this sequined bandmaster uniform. Designed by Edward Stevenson the costume consists of three, handmade pieces. The heavy, elongated jacket is completely covered in pink sequins with a matching mesh material placed over the top to soften the reflection and shine in the studio lights. It is adorned with gold metal buttons, gold lame trim on all the hems and gold metal fringe on the shoulder epaulettes, cuffs and bottom hem.
To complete the look, Stevenson constructed a custom-made hat that still has the original aqua feather attached and a pink velvet undergarment. This is also trimed with the metal fringe on the leg openings and is visible at the very end of the routine when Lucy does her big finish, raising her arms into the air. This is an incredibly detailed costume that must have taken hours to complete and Lucille looked sensational in it for the show-stopping finale.
