If a hairstyle called for a certain look or something extra, wiglets were used in addition to the regular wig. Simply pinned on the main wig these added height, shape, more curls or possible used to cover something.
This was one of Lucy’s red wiglets. Her longtime hairstylist Imra Kusely dyed it to match her hair color and the piece still retains the original curls and shape with hairspray from when it was used.
“The Audition” was filmed on October 12, 1951, a mere three days before the official television premiere of I Love Lucy. This was the sixth episode of the show where Lucy Ricardo replaces a clown named Buffo for an act at Ricky’s club. Lucy is referred to as “the professor” and is dressed in an oversized blue suit who plays the cello.
This act was initially conceived by the Arnazes along with Pepito & Joanne Perez as part of a vaudeville style act Lucy and Desi used, touring the country proving to CBS audiences across America would accept them. They also used the skit for the I Love Lucy pilot.
Part of Lucy’s costume were these cotton finger cots. Each used to cover the fingers of her left hand as she takes them off in dramatic fashion to the beat of the drum. The entire costume was originally on display at Universal Studios Hollywood ‘Lucy A Tribute’ exhibit for over 20 years. The rest of the outfit is now displayed alongside the prop cello in Lucy’s hometown of Jamestown, NY at the Lucy-Desi Museum.
In July of 1951 Vivian Vance was performing at the La Jolla Playhouse in the production of “The Voice of the Turtle.” This would be the stage where Desi Arnaz and Jess Oppenheimer watched their soon to be ‘Ethel Mertz’ portray Olive Lashbrooke in the Saturday, July 28th matinee.
The program shown here is the original copy Vivian Vance kept for her archives. Viv’s sister Lou Ann Graham inherited all of her programs from her years of stage performances. These were sold to the public in Lucille Ball’s hometown of Jamestown, NY during one of the annual festivals.
Lucie Arnaz wrote in this Christmas card to Pepito and Joanne Perez in the early 1960’s. The couple were former veteran vaudeville entertainers known as “Pepito the Spanish Clown” and “Joanne the Twisting Marvel.” It was the Perez’s who helped Lucy and Desi develop the props and acts they took on the road to prove to CBS the public would accept them for a new TV show in 1950.
They remained close friends with Ball-Arnaz-Morton families throughout their lives, going on vacations and sending correspondence to one another over the better part of three decades.
I Love Lucy fans can thank Joanne for discovering an original print of the I Love Lucy pilot long thought lost and never seen by the public until the early 1990’s. To learn more about Pepito and Joanne and their incredible time in show business, please visit: https://pepitoandjoanne.com/
Elizabeth Patterson was a veteran character actress before she famously became known as Matilda Trumbull, neighbor to Lucy and Ricky Ricardo on I Love Lucy. Like most actors from the golden era of Hollywood, Patterson began her career in the theatre with her first Broadway appearance in 1913’s Everyman. Her first movie was a silent film made in 1926 called The Boy Friend.
Elizabeth’s introductory appearance on television was in fact I Love Lucy for the 1952 episode “The Marriage License.” She portrayed Mrs. Willoughby who marries the Ricardos for a second time in Greenwich, Connecticut (honoring where Lucy and Desi were wed in real life). She was then cast as Mrs. Trumbull after Little Ricky was born.
This is a holiday card sent by the actress. The single sided piece of red cardstock with a metallic gold border, measures roughly 8 inches by 3 inches and features Patterson’s writing and signature printed in white that reads:
“Christmas Greetings from Elizabeth Patterson”
Lucille Ball penned to husband Gary Morton “Gary! Gary! Gary! My Guy “Your Missus – Lucy” on this uncommon side portrait of her from the mid-1940’s. Against a red background that almost matches her lips, Lucy wears a white top that has her initials embroidered on the center neckline – LDB for Lucille Desiree Ball. During their marriage she and Gary would write each other many notes and letters and Lucille sometimes gave him photos of herself with inscriptions such as this.
A polka dot dress was a signature look of Lucy Ricardo and to this day, Lucy and polka dots are synonymous with one another. Throughout her television career Lucille Ball wore variations of this pattern in the form of dresses in the 1950’s to blouses in the 60’s and 70’s.
On October 6, 1958 the premiere episode of the second season of The Lucille Ball-Desi Arnaz Show (The Lucy-Desi Comedy Hour in syndication) aired, entitled “Lucy Goes to Mexico.” The Ricardos and Mertzes are in San Diego, staying at the Hotel Del Coronado because Ricky is doing a USO show with Maurice Chevalier onboard the U.S. Navy aircraft carrier Yorktown. Lucy and the Mertzes decide to go south into Tijuana on a routine souvenir hunt. In true fashion, Lucy gets into trouble when a stowaway causes problems as they attempt to come back across the border.
Lucy wears an iconic polka dot dress for nearly the entire episode. Presented here is her stunt double’s dress, an exact replication to the one Lucille Ball wore. It can be seen on Lucy’s stand-in who’s running from the Policia through the streets of Tijuana. The unique polka dot pattern confirms this as the one Lucy Ricardo wears is slightly different and is currently in a private collection.
The two piece, A-line dress is made of a light brown silk-taffeta with beige polks dots. A long sleeve jacket features a zipper front, off-white canvas trim on the cuffs and waist along with a very large notched collar. Inside the jacket is a CBS garment tag attached near the zipper. The short sleeve dress features the same off-white canvas trim on the sleeve hems and has a full length zipper with hook and eye closures on the back. A sheer white silk lining can be found on the inside of the body.
This look was the inspiration of a large wooden statue carved out of a tree stump that once stood in the Lucille Ball Memorial Park from the late 1990’s to early 2000’s. The park banks Lake Chautauqua in Lucy’s hometown of Celeron, NY and is the current home of a beautiful bronze statue by Carolyn Palmer of Lucille Ball as Lucy Ricardo wearing a polka dot dress.
This colorful silk caftan-style blouse was owned and worn by Vivian Vance. Designed by Don Loper it features a floral painted-like pattern, 3/4 length kimono sleeves, side seam slits and a boat neckline. Viv gave the blouse to her little sister Lou Ann Graham who kept it for many years before consigning the piece for an auction held in Lucille Ball’s hometown of Jamestown, New York in the mid 2000’s.
Here’s Lucy premiered on CBS in late September of 1968. The third sitcom for ‘Lucy and Co.’ centered around the Carter family who lived in Southern California. Lucille Ball starred alongside Gale Gordon, who portrayed brother-in-law Harrison Carter, and her children Lucie Arnaz and Desi Arnaz Jr. as her on screen kids Kim and Craig. The show ran for six successful seasons, ending in 1974.
This navy blue baseball hat was gifted to the cast and crew during the series’ run. The patchwork font of Here’s Lucy adorns the front along with an embroidered replication of the Lucille Ball Productions logo and caricature of Lucy by artist Al Hirschfeld. Very few of these exist today as they were not made for the general public.
In 1957, Desi Arnaz opened a hotel outside of Palm Springs in Indian Wells, CA reported by The Desert Sun as “a new, luxurious, million-dollar hotel which nestles at the edge of the desert near the Santa Rosa mountains, bordering on the beautiful greens of the Indian Wells Golf Course.”
Presented here is Desi’s application for an alcoholic beverage license for the hotel. Filed on November 15, 1956 in front of Sergeant Forbes of the L.A.P.D., the two page document includes Arnaz’s personal information, signatures and full set of fringerprints.
The hotel still exists today under the name Indian Wells Resort Hotel and pays homage to its founder with many photos of Desi and Lucille Ball throughout the property.
Jessurun (Jess) Oppenheimer was called “the brains” behind I Love Lucy. He was the series creator, producer and head writer. It was in radio where Lucy and Jess would first work together on My Favorite Husband that eventually spawned, arguably, the most popular TV show of all time.
This oversized photo of Lucille taken in the mid to late 1960’s has been framed and matted with Lucy’s inscription to the “force” behind the ‘Lucy’ show, simply put:
“Dear Jess with my Love Lucy”
A change in format was necessary for the Lucy series after Lucille Ball sold Desilu to Gulf & Western in 1967. The rights and ownership were now under their control so she formed Lucille Ball Productions and created a new sitcom called Here’s Lucy.
The Carter family lived in Los Angeles with Lucy’s character employed as a secretary at “Carter’s Unique Employment Agency” owned by brother-in-law Harry, played by co-star Gale Gordon. Lucille’s real-life children portrayed her on screen kids with Lucie Arnaz as Kim and Desi Arnaz Jr. as Craig. The show ran for six seasons from 1968 to 1974.
Here are two original audience tickets – one to the December 11, 1969 filming in season two and the other for a July 9, 1971 episode from season four. There are a few noticable difference between the tickets. For the first couple of seasons the show was filmed at Paramount Studios (formly Desilu). Now a tenant, Lucy and company began to have issues with their new “landlords” so it was decided to move to more favorable conditions at Universal Studios where they remained for the rest of the show’s run. Second, the Lucy image was changed from the 60’s sketch to a favorite of hers by Al Hirschfeld. Lastly, a member of the cast is absent on the ticket from 1971. After the third season Desi Arnaz Jr. left the series to pursue other career opportunities but would return for one last appearance in the fifth season espisode “Lucy and Joe Namath.”
