We dug into Lucille Ball’s travel cosmetics case from a previous post to share one of her creme rouges. Made by Max Factor, a preferred makeup brand, the color is called ‘FLAME’ (cue the reference to her flaming red hair). Directions say to use finger tips to apply and blend. The swirl marks made by Lucy’s can easily be seen inside of this heavily used cosmetic.
Lucille Ball’s Lip Print on birthday note card from Gary Morton
On Lucille Ball’s 69th birthday in 1980, Gary Morton gave her a beautiful piece of jewelry. Inside a small envelope with Lucy on the outside was this notecard which Gary affectionately wrote:
“Lucy – Cause I Love you Happy Birthday Morty”
Lucille adored what Gary gave her not only keeping this card but writing what she got in blue marker “gold diamond and pearl necklace!!” On the front of the envelope, she also wrote the year and kissed it leaving a big lip print. This was something Lucy was known to do if she was really impressed by something, or it had special meaning.
Gale Gordon Commemorative Theater Glasses
Veteran character actor Gale Gordon appeared in all of Lucille Ball’s television series from the 1950’s until the 1980’s. Lucy originally wanted him to play the roll of Fred Mertz however he was commited to Our Miss Brooks. He was an incredible talent and perfect foil for all of Lucy’s antics.
In the 1980’s there were dinner theaters throughout Canada operated by Stage West. This included two locations in Winnipeg and Edmonton. Gale performed on the Edmonton stage in 1980 for “A Ghost on Tiptoe.” Then in 1982 at the Winnipeg location in “Norman is That You?” These were promotional drinking glasses the theater company produced to honor the stars performing in their shows. Each stand around seven inches tall and hold 8 oz. of liquid.
Today, Stage West still operates a dinner theater in Calgary. The Winnipeg theater was dempolished in 1985, while the one Edmonton now operates under the name Mayfield Dinner Theater.
Television Academy Arts & Sciences 14th Annual Ball Honoring Lucille Ball Ticket & Program
The Television Academy Arts & Sciences honored Lucille Ball on October 25, 1969 with an award and event proclaiming her “The First Lady of Television.” Held in the International Room at the Beverly Hilton Hotel, the 14th annual affair was emceed by ‘Mr. Television’ himself Milton Berle in front of 1,000 members. Also in attendance was Lucy’s husband Gary Morton, Lucie Arnaz and Desi Arnaz, Jr., Vivian Vance and many other friends.
Shown here is an original program, ticket and RSVP stub from the ball. A three-inch gold-plated metal table favor was also given to guests that evening. Lucy wore a beautiful aqua chiffon grown adorned with beads and rhinestones that trimmed the collar and front hem with sleeves that were engulfed with ostrich feathers at the ends. (to be featured in another post)
Lucille Ball’s Curly Red Wiglet
If a hairstyle called for a certain look or something extra, wiglets were used in addition to the regular wig. Simply pinned on the main wig these added height, shape, more curls or possible used to cover something.
This was one of Lucy’s red wiglets. Her longtime hairstylist Imra Kusely dyed it to match her hair color and the piece still retains the original curls and shape with hairspray from when it was used.
Finger Cots Worn by Lucille Ball on I Love Lucy “The Audition” Episode
“The Audition” was filmed on October 12, 1951, a mere three days before the official television premiere of I Love Lucy. This was the sixth episode of the show where Lucy Ricardo replaces a clown named Buffo for an act at Ricky’s club. Lucy is referred to as “the professor” and is dressed in an oversized blue suit who plays the cello.
This act was initially conceived by the Arnazes along with Pepito & Joanne Perez as part of a vaudeville style act Lucy and Desi used, touring the country proving to CBS audiences across America would accept them. They also used the skit for the I Love Lucy pilot.
Part of Lucy’s costume were these cotton finger cots. Each used to cover the fingers of her left hand as she takes them off in dramatic fashion to the beat of the drum. The entire costume was originally on display at Universal Studios Hollywood ‘Lucy A Tribute’ exhibit for over 20 years. The rest of the outfit is now displayed alongside the prop cello in Lucy’s hometown of Jamestown, NY at the Lucy-Desi Museum.
Appreciative handwritten notecard from Lucille Ball to Frank Gorey
The Ball/Arnaz families were very loyal and generous to those close to them. These people were more like extended family, there for decades, through the good times and bad. One such person was Frank Gorey. He first started working with the Arnazes in 1959 as a chauffeur. After the divorce he stayed with Lucille Ball for the next 30 years, becoming the majordomo of the households.
An example of her admiration for ‘Francis’ is written in this note which included a check:
“Frank dear – I do appreciate how thoughtful and helpful you have been these last few months – which have been really so difficult for me – I never expected to fall apart as I have – Please buy your camera or whatever you want – Greatfully Lucy”
Frank was kind-hearted and loved to tell stories about his days with the redhead. He remained close to the family, as well as friends and loved ones met along the way until his passing in 2019.
Lucille Ball’s film MAME Pinback Button
‘She’ll coax the blues right out of your heart’ was the tagline used in promotion of the 1974 motion picture MAME starring, Lucille Ball. In addition to posters, hanging mobiles, and even a fashion line, this rare pin button help advertise the Warner Bros. film. Worn by theater works and ushers the badge measures roughly three inches across and features the seated Lucy Mame drawing with her one roller skate, fur trimmed coat and gloves.
Lucille Ball’s Tan Mink Car Coat
Lucille Ball kept warm in the winter months for over three decades wearing this tank mink car coat. Her husband Gary Morton gave her the fur in the mid 1960’s, wearing it on camera for their mid-January appearance of the gameshow Password.
The coat features a gold silk lining, two side pockets, a large lapel and collar that can be stood up or laid down and a rear belt. While on Password she says, “I like furs better than I do jewelry,” this fur being one of her favorites.
While in New York Lucy had a series of publicity shots taken in the coat high above the NYC skyline. She took it with her on overseas trips to Europe and into the 1980’s wore the coat to a “Little Shop of Horrors” show.
Lucille Ball Handwritten Postcard to Prop Master Kenny Westcott
While vacationing on the Island of Hawaii in June of 1973, Lucille Ball and Gary Morton sent Kenny Westcott and his wife Betty this postcard from the Manua Kea Beach Hotel. Lucy simply writes:
“Dear Betty and Kenny – This place is heavenly! See you soon – Love Lucy & Gary”
Kenneth Westcott first worked at MGM’s commissary when he was in high school during the late 1930’s, then joined the Navy before the start of World War II. Following his service to the US, Kenny went back to work at MGM becoming the second assitant property master and then did a brief stint at Hal Roach Studios before going back to MGM. Around this time he first started working with Lucille Ball on her new series The Lucy Show, continuing onto Here’s Lucy. In between these shows and after, he worked on Lucy’s other films and specials. Kenny was responsible for all the props for every scene of every show or movie.
Vivian Vance’s “The Voice of the Turtle” Program from La Jolla Playhouse
In July of 1951 Vivian Vance was performing at the La Jolla Playhouse in the production of “The Voice of the Turtle.” This would be the stage where Desi Arnaz and Jess Oppenheimer watched their soon to be ‘Ethel Mertz’ portray Olive Lashbrooke in the Saturday, July 28th matinee.
The program shown here is the original copy Vivian Vance kept for her archives. Viv’s sister Lou Ann Graham inherited all of her programs from her years of stage performances. These were sold to the public in Lucille Ball’s hometown of Jamestown, NY during one of the annual festivals.
Christmas Card from Lucie Arnaz to Pepito & Joanne Perez
Lucie Arnaz wrote in this Christmas card to Pepito and Joanne Perez in the early 1960’s. The couple were former veteran vaudeville entertainers known as “Pepito the Spanish Clown” and “Joanne the Twisting Marvel.” It was the Perez’s who helped Lucy and Desi develop the props and acts they took on the road to prove to CBS the public would accept them for a new TV show in 1950.
They remained close friends with Ball-Arnaz-Morton families throughout their lives, going on vacations and sending correspondence to one another over the better part of three decades.
I Love Lucy fans can thank Joanne for discovering an original print of the I Love Lucy pilot long thought lost and never seen by the public until the early 1990’s. To learn more about Pepito and Joanne and their incredible time in show business, please visit: https://pepitoandjoanne.com/