Lucille Ball kept warm in the winter months for over three decades wearing this tank mink car coat. Her husband Gary Morton gave her the fur in the mid 1960’s, wearing it on camera for their mid-January appearance of the gameshow Password.
The coat features a gold silk lining, two side pockets, a large lapel and collar that can be stood up or laid down and a rear belt. While on Password she says, “I like furs better than I do jewelry,” this fur being one of her favorites.
While in New York Lucy had a series of publicity shots taken in the coat high above the NYC skyline. She took it with her on overseas trips to Europe and into the 1980’s wore the coat to a “Little Shop of Horrors” show.
While vacationing on the Island of Hawaii in June of 1973, Lucille Ball and Gary Morton sent Kenny Westcott and his wife Betty this postcard from the Manua Kea Beach Hotel. Lucy simply writes:
“Dear Betty and Kenny – This place is heavenly! See you soon – Love Lucy & Gary”
Kenneth Westcott first worked at MGM’s commissary when he was in high school during the late 1930’s, then joined the Navy before the start of World War II. Following his service to the US, Kenny went back to work at MGM becoming the second assitant property master and then did a brief stint at Hal Roach Studios before going back to MGM. Around this time he first started working with Lucille Ball on her new series The Lucy Show, continuing onto Here’s Lucy. In between these shows and after, he worked on Lucy’s other films and specials. Kenny was responsible for all the props for every scene of every show or movie.
In July of 1951 Vivian Vance was performing at the La Jolla Playhouse in the production of “The Voice of the Turtle.” This would be the stage where Desi Arnaz and Jess Oppenheimer watched their soon to be ‘Ethel Mertz’ portray Olive Lashbrooke in the Saturday, July 28th matinee.
The program shown here is the original copy Vivian Vance kept for her archives. Viv’s sister Lou Ann Graham inherited all of her programs from her years of stage performances. These were sold to the public in Lucille Ball’s hometown of Jamestown, NY during one of the annual festivals.
Lucie Arnaz wrote in this Christmas card to Pepito and Joanne Perez in the early 1960’s. The couple were former veteran vaudeville entertainers known as “Pepito the Spanish Clown” and “Joanne the Twisting Marvel.” It was the Perez’s who helped Lucy and Desi develop the props and acts they took on the road to prove to CBS the public would accept them for a new TV show in 1950.
They remained close friends with Ball-Arnaz-Morton families throughout their lives, going on vacations and sending correspondence to one another over the better part of three decades.
I Love Lucy fans can thank Joanne for discovering an original print of the I Love Lucy pilot long thought lost and never seen by the public until the early 1990’s. To learn more about Pepito and Joanne and their incredible time in show business, please visit: https://pepitoandjoanne.com/
Lucille Ball’s fourth film with MGM was 1944’s “Meet the People.“ She stars alongside Dick Powell, featuring Virginia O’Brien, Bert Lahr, Rags Ragland and June Allyson in the World War II era musical. Lucy plays Julie Hampton, a Broadway star who leaves the stage to join Rosie the Riveters, becoming a welder and falling in love with her coworker “Swanee” played by Powell.
Lucille wears this pair of simulated diamond and pearl earrings in the movie. Made by Joseff of Hollywood each clip back earring is designed as a cluster of three pear-shaped simulated diamonds, centered upon a simulated pearl.
Eugene Joseff was the premier costume jeweler during Hollywood’s golden age. He developed a matte metal finish for his jewelry which minimized the glare from lighting. Their custom jewels were designed, manufactured, and rented to movie studios and can be seen in nearly every production from the 1930’s to the 1950’s.
Elizabeth Patterson was a veteran character actress before she famously became known as Matilda Trumbull, neighbor to Lucy and Ricky Ricardo on I Love Lucy. Like most actors from the golden era of Hollywood, Patterson began her career in the theatre with her first Broadway appearance in 1913’s Everyman. Her first movie was a silent film made in 1926 called The Boy Friend.
Elizabeth’s introductory appearance on television was in fact I Love Lucy for the 1952 episode “The Marriage License.” She portrayed Mrs. Willoughby who marries the Ricardos for a second time in Greenwich, Connecticut (honoring where Lucy and Desi were wed in real life). She was then cast as Mrs. Trumbull after Little Ricky was born.
This is a holiday card sent by the actress. The single sided piece of red cardstock with a metallic gold border, measures roughly 8 inches by 3 inches and features Patterson’s writing and signature printed in white that reads:
Aaron Spelling Productions started a new weekly series on ABC for the Fall of 1986 called “Life With Lucy.” Lucille Ball would return to television in an attempt to resurrect the “Lucy” character fans all knew and loved. Wanting to get ‘back in her arena’ she called on veteran actor Gale Gordon to be her straight man and co-star.
This sweatshirt is believed to be a gift to the cast and crew or possibly a prototype. Since the show was unfortunately canceled early on, plans to potentially mass produce these ceased. It features the Al Hirschfeld caricature and a variation of show’s logo printed in a totally 80’s salmon pink with royal blue shadowing. Similar promotional items were made including hats, bumper stickers and a jacket (which was shared in a past post).
Lucille Ball penned to husband Gary Morton “Gary! Gary! Gary! My Guy “Your Missus – Lucy” on this uncommon side portrait of her from the mid-1940’s. Against a red background that almost matches her lips, Lucy wears a white top that has her initials embroidered on the center neckline – LDB for Lucille Desiree Ball. During their marriage she and Gary would write each other many notes and letters and Lucille sometimes gave him photos of herself with inscriptions such as this.
Friends, some press as well as cast and crew of the 1974 motion picture MAMEreceived this off-white porcelain ashtray from its star, Lucille Ball. The circular, gold rimmed ashtray features the film’s title in the center and Lucy’s signature Love Lucy below. This particular piece was never used and still included the original box when it was aquired. Two versions of ashtrays were made, possibly for different years. The other is a square style that has a felt bottom.
A polka dot dress was a signature look of Lucy Ricardo and to this day, Lucy and polka dots are synonymous with one another. Throughout her television career Lucille Ball wore variations of this pattern in the form of dresses in the 1950’s to blouses in the 60’s and 70’s.
On October 6, 1958 the premiere episode of the second season of TheLucille Ball-Desi Arnaz Show (The Lucy-Desi Comedy Hour in syndication) aired, entitled “Lucy Goes to Mexico.” The Ricardos and Mertzes are in San Diego, staying at the Hotel Del Coronado because Ricky is doing a USO show with Maurice Chevalier onboard the U.S. Navy aircraft carrier Yorktown. Lucy and the Mertzes decide to go south into Tijuana on a routine souvenir hunt. In true fashion, Lucy gets into trouble when a stowaway causes problems as they attempt to come back across the border.
Lucy wears an iconic polka dot dress for nearly the entire episode. Presented here is her stunt double’s dress, an exact replication to the one Lucille Ball wore. It can be seen on Lucy’s stand-in who’s running from the Policia through the streets of Tijuana. The unique polka dot pattern confirms this as the one Lucy Ricardo wears is slightly different and is currently in a private collection.
The two piece, A-line dress is made of a light brown silk-taffeta with beige polks dots. A long sleeve jacket features a zipper front, off-white canvas trim on the cuffs and waist along with a very large notched collar. Inside the jacket is a CBS garment tag attached near the zipper. The short sleeve dress features the same off-white canvas trim on the sleeve hems and has a full length zipper with hook and eye closures on the back. A sheer white silk lining can be found on the inside of the body.
This look was the inspiration of a large wooden statue carved out of a tree stump that once stood in the Lucille Ball Memorial Park from the late 1990’s to early 2000’s. The park banks Lake Chautauqua in Lucy’s hometown of Celeron, NY and is the current home of a beautiful bronze statue by Carolyn Palmer of Lucille Ball as Lucy Ricardo wearing a polka dot dress.
George Cukor was one Hollywood’s most respected directors, especially during the Golden Age. The Oscar-winning filmmaker directed 48 feature films, 22 of which earned a collective total of 70 Oscar nominations and 18 wins. He personally took home the Oscar for Best Director in 1965 for My Fair Lady starring Audry Hepburn. Lucy was a huge fan of Cukor, especially for his work on the film A Star is Born (1957) starring Judy Garland. She wrote this birthday letter to George on her personal stationery which reads:
“George darling – I have very few regrets or unfulfilled desires but one of them is that I have never had the pleasure and good fortune to have been directed by you “The Fabulous Cukor” Someday – Maybe – Somehow – Have a Happy Happy Birthday Love As Always Lucy”
It is unknown when this letter was written but Lucille would almost get her wish. Cukor was scheduled to direct Lucy’s film version of Mame, but left the project after she broke her leg in a skiing accident and production was delayed a year. Gene Saks took over when she was well enough to return in 1973. Lucy and George would correspond often and remained friends until his passing in 1983.
This colorful silk caftan-style blouse was owned and worn by Vivian Vance. Designed by Don Loper it features a floral painted-like pattern, 3/4 length kimono sleeves, side seam slits and a boat neckline. Viv gave the blouse to her little sister Lou Ann Graham who kept it for many years before consigning the piece for an auction held in Lucille Ball’s hometown of Jamestown, New York in the mid 2000’s.
